Thierry Mugler, the outrageous, genre-busting French designer who dominated European runways in the late 1980s and early 1990s, died on Sunday at his household in Vincennes, outside the house Paris. He was 73.

His demise was announced on his brand’s official Instagram. The cause was not supplied.

Mr. Mugler was a principal architect of a style that washed away the minimalism of the late 1970s and replaced it with an aesthetic of ability dressing that was equally bombastic and camp, a comic-e book fusion of S&M and higher vogue in which a drag queen, a prostitute and a Reaganite social X-ray of “Bonfire of the Vanities” became virtually the exact man or woman, as if standing right before a a few-way mirror.

Among those people who modeled in his demonstrates had been the singer Grace Jones, the drag accomplishing torch singer Joey Arias and that hallmark goddess of Park Avenue arrivistes, Ivana Trump.

Mr. Mugler’s silhouette was an inverted triangle characterized by huge shoulders and a nipped waistline. He beloved latex, leather and curves.

George Michael’s “Much too Funky” video (produced in 1992) was properly a televised Mugler clearly show.

In it, Linda Evangelista was accomplished up on digital camera like a area-age Cruella De Vil, putting on a peroxide blond wig and dripping in fur. An additional design strode out in a metallic Harley-Davidson impressed bustier with precise motorcycle handles sticking out of every single aspect of the waist, rearview mirrors attached to the breasts and a headlight in the middle.

As Mr. Mugler forged it, manner was but a “trick and a activity.” His purpose as designer was to furnish females with applications to make fantasy truth. “I really don’t believe that in pure style,” he explained to Holly Brubach in The New York Moments in 1994. “Let’s go for it! The corset. The press-up bra. Every little thing! If we do it, let’s do the whole selection.”

Manfred Thierry Mugler was born in Strasbourg, France, on Dec. 21, 1948. His father was a health care provider from whom he appeared to inherit his surgical precision his mom was a homemaker whose class he was transfixed by. He invested his teenage yrs dancing in a neighborhood dance enterprise, making an attempt unsuccessfully to shake the need to depart household. “Nothing suited me,” he later advised British newspaper The Unbiased. “I discovered all the things really, pretty boring, was really, extremely sick at relieve and pretty, incredibly lonely.”

At 20 he moved to Paris, in which he begun creating his personal garments — army coats that trailed to the floor, trousers dyed every shade of the rainbow. He released his have brand name in 1974.

Harrods picked it up. The photographer Helmut Newton, the godfather of dominatrix stylish, was hired to shoot an early campaign. As Mr. Mugler’s title grew, so did the dimension of his demonstrates.

In 1984, he took over the Zenith, a athletics arena in Paris, to stage what was one particular of the most theatrically formidable manner exhibits considering the fact that the so-named Struggle of Versailles in 1973. Smoke billowed from the stage. Pat Cleveland descended from the ceiling wanting like a demented angel. Gregorian chanters chanted.

“No a single in fashion arrived near to the stage of theater he developed,” said Mel Ottenberg, the editor of Job interview.

But Mr. Mugler’s unabashed embrace of gay iconography overshadowed his impressive tailoring and construction approach, marginalizing him at a time when the AIDS epidemic was at its peak.

“The outwardness of designers embracing staying gay wasn’t then a issue,” explained Paul Cavaco, who was a fashion director of Harper’s Bazaar for the duration of Mr. Mugler’s heyday. “People realized but you did not seriously discuss about it. It was regarded as not stylish. And right here he was sending drag queens like Lypsinka down the runway.”

So even at Bazaar, which at the time was arguably the most adventurous American trend magazine, Mr. Mugler’s apparel were mainly passed more than, Mr. Cavaco reported.

By the mid-’90s, there ended up rumors that Mr. Mugler experienced come to be bored with style. While stores clamored for his outfits, he started off experimenting with movie and images.

Yet, his 20th-anniversary exhibit in Paris was a further spectacle. Tippi Hedren opened the display, descending a large staircase as new music from Alfred Hitchcock’s “The Birds” played. Her heels were pretty, quite significant. At some position, she fell.

The price tag of the present was rumored to be shut to $2 million. What paid for it, in accordance to Marion Hume of The Impartial, was “that matter named fragrance.”

His was termed Angel. It contained the nectarous scents of honey, vanilla, pralines, chocolate, caramel and patchouli, and succeeded wildly irrespective of becoming derided by a lot of. Jerry Corridor was the confront of many of its campaigns. And in 1997, it led Clarins, the beauty conglomerate, to order a controlling stake in his manufacturer.

No matter if Mr. Mugler happily still left his brand name in 2002 or jumped out of the market to steer clear of being pushed as minimalism arrived again in model (see: Helmut Lang), he continued to work.

In 2003, he served as the creator of Zumanity, a blockbuster hit Cirque du Soleil clearly show in Las Vegas that showcased hearth-respiratory dominatrixes, drag performers like Raven O and Mr. Arias, and musclebound men clad only in their underwear writhing on major of one one more. A new generation of pop stars and designers mined his archives for inspiration.

Alexander McQueen’s posh punk sensibility and Rick Owens’s Mad Max by way of Antarctica vibe had been both of those heavily affected by Mr. Mugler’s operate. As was Girl Gaga’s early “Bad Romance” search. Beyoncé wore the previous bike bustier on the deal with of her 2009 album “I Am … Sasha Intense.” Before long right after, she employed Mr. Mugler to do the costumes for her tour.

By then, Mr. Mugler’s possess excessive actual physical transformation into a comic-reserve, leather-based equipment-donning supervillain was the resource of tabloid fodder. Nude pics of him with pecs wide as a city block leaked across the net. He started off calling himself Manfred.

But a ten years afterwards, when purple carpets became glorified actuality shows in which celebrities competed to outdo a single an additional in the group of campy theatricality, Mr. Mugler staged a comeback.

Cardi B showed up at the Grammys in February 2019 hunting like a Disney princess in a flesh-toned Mugler bodice, with sequins across her upper body and a blooming skirt that shot up from behind her — a human pearl nestled in a pink shell.

A number of months later, Ms. Kardashian attended the Fulfilled Gala in a Mugler-intended dress that made her just about every curve seem to have been drenched in large fructose corn syrup. Those people viral appears released him to hundreds of thousands of new enthusiasts and potentially led to “Thierry Mugler: Couturissime,” a multimedia retrospective of his work at the Musée des Arts Décoratifs in Paris.

Mr. Ottenberg, the editor of Interview, acquired it in his head to shoot Mr. Mugler for the journal.

“Every gay male my age bought his Manhunt pictures,” Mr. Ottenberg claimed, referring to the pre-eminent homosexual electronic hookup web site of the pre-Grindr period. “I have them! They are not for your tale, but I have obtained them someplace. So I reached out to him on Instagram and we started conversing. I reported, ‘Can I shoot you naked?’ He was, like, ‘Yes, but I have to get the job done out for 6 months prior.’ And he did.”

The images, taken by Steven Klein and revealed in 2019, are barely the sort of detail one would see in Vogue or Bazaar. Mr. Ottenberg went on to explain using them as “the most outrageous second of my whole job.”

That was wonderful with Mr. Mugler, who at the time summed up his philosophy as follows: “The reverse of good style is harmless.”

Christine Chung contributed reporting.

By Amalia