Queen Victoria took her jewelry obsession to the grave. On her deathbed, she picked stacks of bracelets, layers of necklaces, and rings (a single for every single finger) for her burial, and the items she chose provided the British monarch’s precious mourning jewels, the mementos she commissioned to keep in mind misplaced liked kinds, and passionate pieces from her spouse.

That is the energy of jewellery. It’s frequently weighed down with considerably more than gold and stones it embodies really like and loss and is a tangible memory of a little something important. Now, there is renewed desire in commemorative jewels—and even a comeback of locks of hair encased in items. The a lot more individual, the greater.

It is a trend that the jewellery-loving Queen Victoria embraced when she famously turned her loves and tragic losses into jewelry mementos. Regarded as the monarch of mourning, she shrouded herself in black apparel when her partner Prince Albert died in 1871, and she commissioned jewelry inscribed with his name and text of enjoy and set with locks of his hair, and she did the exact when her daughter Alice died in 1878 at age 35. She also experienced parts built to remember satisfied occasions, this sort of as her good like affair with Prince Albert and births of her young children.

“Jewelry is a gorgeous software to celebrate existence and loss,” claims British designer Shaun Leane, who has built numerous sentimental commissions for clients and close friends such as designer Sarah Burton and filmmaker Sam Taylor-Johnson. One particular of his most important items was a signet ring manufactured for his near mate the designer Alexander McQueen, which he produced in honor of their pal Isabella Blow who died in 2007. It highlighted an engraved quartz stone in excess of glass which encased a lock of Blow’s hair. “Lee (McQueen) wore the ring each and every working day,” states Leane, “and we buried him in that ring.”

A mourning bracelet with plaited hair crafted by Shaun Leane.

Courtesy of Shaun Leane

In excess of the previous two many years, Leane states requests have appear pouring in from pals and purchasers who desired sentimental jewelry to celebrate the individuals and animals they dropped and cherished kinds who they could not see due to COVID restrictions. These designs ended up inspired by Victorian-period concepts, such as locks of hair encased in glass roundels and Latin-inscribed scrolls with concealed messages, which he remade in contemporary styles. The models are part of his expanded Memoirs selection that will be debuting upcoming year.

Leane is an qualified in the art of Victorian-era jewellery. As a youthful apprentice in London’s Hatton Garden, he specialised in antique restoration and worked on equally sentimental mourning jewels and even before memento mori jewels that featured macabre symbols of demise, like skeletons and cross bones (memento mori, soon after all, translates to a reminder that you will die).

shaun leane pendant
A pendant by Shaun Leane that includes plaited hair.

Courtesy of Shaun Leane

Leane was schooled in the art of Victorian era hair jewellery, learning to plait hair especially for the jewellery, and encase it in glass. He’s cut and plaited the hair of cherished ones who have passed away, and also the hair of the little ones of several friends to celebrate their births. He even made three bracelets for himself that commemorate his cats, each and every with symbols of their personalities and their hair encased in glass roundels.

Hair appears like a macabre product, but it has been utilized in jewelry for centuries. “I’m fascinated by the concept of using one thing instantly from a individual in a piece of jewellery, and the emotion that is carried with it,” he claims. “When you hold those roundels, you really feel shut to that human being. These come to be a person’s most treasured and valued pieces of jewelry.”

Antique jewellery seller and designer Ashley Zhang was also enthusiastic by Victorian era mourning jewelry for her new collection of symbolic items. Soon after getting rid of her father, she arrived across Victorian mourning parts that have been so stunning they influenced her to develop styles reimagining the basic motifs in stylishly female parts. These contain black and white enamel bands with willow and scroll motifs, and inscribed with personalised names and dates, and pendants with urns and in the form of lilies of the valley, which can be much more subtle symbols of dying.

ashley zhang pendant
A pendant created by Ashley Zhang, which characteristics an image of an urn.

Ashley Zhang

Which is specifically what Queen Victoria was seeking to obtain with her individual symbolic commissions—something fairly and poignant.

Even in loss of life, the British monarch manufactured jewelry trendy and meaningful. When she handed on January 22, 1901, she was adorned with dozens of jewels and buried with other sentimental mementos, as she had dictated, including a plaster solid of Prince Albert’s hand, her lace wedding veil, and a image of her individual attendant John Brown (who was rumored to be her lover) together with a lock of his hair.

She proved you can, in actuality, acquire it with you.

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By Amalia