It’s just right after sunset in San Miguel de Allende, and a delightful desert chill is presently descending on the colourful cobbled town. Below, in the coronary heart of Mexico’s central highlands, I’ve arrived at the residence studio of the Sonora-born hat designer Alejandra “Suki” Armendariz. Right after sharing cocktails throughout the avenue at the rooftop bar, Bekeb—helmed by her companion, the famed mixologist Fabiola Padilla—my mates and I stumbled our way uphill to her workshop, only a number of blocks away. Winded, we passed by way of a thick picket door of an unassuming façade to arrive at the studio, a subterranean home lined with effectively-worn cowboy saddles, geometric-patterned flannel tops, and antique silver and turquoise metal belts. Norteño songs blasts from the speaker as Armendariz grabs beers from the refrigerator. She pops the cap off a bottle with her dusty leather boots and palms it to me a smile sweeps her facial area at her trick as congratulatory applause ricochets throughout the space.

Inside of the Palomina shop and atelier. 

Photograph: Hugo Feregrino

In amongst sips of my beer, Armendariz tells me how she launched her home studio four months ago as a pathway for people to San Miguel de Allende to study about the region’s standard cowboy culture and customs. Clad in an all-black sombrero of her design and jet-black trousers held in spot with a thick leather-based belt with a gold buckle, Armendariz describes how she prefers to employ a single of three products to produce her hats: Bolivian wool, Mexican rabbit fur, and Mexican palm leaves. All through bespoke encounters not much too dissimilar from the just one my good friends and I are now taking pleasure in, she even guides guests by the generation of their very own hat, with the solution to have a far more interactive knowledge by shaping and steaming the brim on their own.

Now I’ve decided on a milky grey base, verging on pink when the light hits it just ideal, ringed by an alabaster leather-based rope. As I sift through a box of gold and silver buttons to locate the perfect adornment for my piece, Armendariz reaches below her workshop table for a box of feathers. There are dozens of alternatives. I gravitate to a three-pronged piece with brown, white, and black plumages to solidify my minimalist seem. As Armendariz will make the remaining changes to my hat by hammering in a collection of steel buttons—and my close friends solidify their types whilst finding distracted by the vintage tops and belts that line the wall—I can not assistance but smile at the harmony of the night. Fully unplanned, entirely impromptu, I know no other nation and lifestyle in which an artist like Armendariz would so freely open their studio for a spur-of-the-moment layout get together. It is celebratory and even a small chaotic it’s also ideal.

By Amalia